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The Crux, by Charlotte Perkins Gilman
Free PDF The Crux, by Charlotte Perkins Gilman
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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
- Original language: English
- Dimensions: 9.00" h x 6.00" w x .22" l, .30 pounds
- Binding: Paperback
Review
“What a treat to have another Gilman novel—until now largely ignored—available. We are indebted to Duke University Press for publishing it as a separate piece and to Dana Seitler for her provocative and stimulating introduction. The Crux is in many ways a period piece embodying what today seems outmoded and sometimes outrageous views. Oddly, these same views are also startlingly and wickedly relevant today.”—Ann J. Lane, author of To Herland and Beyond: The Life and Work of Charlotte Perkins Gilman
“With reproductive technologies at the center of feminist, medical, and national debate, The Crux offers a fascinating historical perspective on the relationship of reproduction and nationalism. Dana Seitler's introduction offers a useful context in which to read Charlotte Perkins Gilman's quirky, biology-based feminism, her depiction of a women's community in the west, and, generally, the relationship between fiction-writing and the fashioning of gender roles that fueled Gilman's particular brand of activism.”—Priscilla Wald, author of Constituting Americans: Cultural Anxiety and Narrative Form
From the Back Cover
"With reproductive technologies at the center of feminist, medical, and national debate, "The Crux" offers a fascinating historical perspective on the relationship of reproduction and nationalism. Dana Seitler's introduction offers a useful context in which to read Charlotte Perkins Gilman's quirky, biology-based feminism, her depiction of a women's community in the west, and, generally, the relationship between fiction-writing and the fashioning of gender roles that fueled Gilman's particular brand of activism."--Priscilla Wald, author of "Constituting Americans: Cultural Anxiety and Narrative Form"
About the Author
harlotte Perkins Gilman (July 3, 1860 – August 17, 1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper" which she wrote after a severe bout of postpartum psychosis. t the age of five, Gilman taught herself to read because her mother was ill. Her mother was not affectionate with her children. To keep them from getting hurt as she had been, she forbade her children to make strong friendships or read fiction. In her autobiography, The Living of Charlotte Perkins Gilman, Gilman wrote that her mother showed affection only when she thought her young daughter was asleep. Although she lived a childhood of isolated, impoverished loneliness, she unknowingly prepared herself for the life that lay ahead by frequently visiting the public library and studying ancient civilizations on her own. Additionally, her father's love for literature influenced her, and years later he contacted her with a list of books he felt would be worthwhile for her to read. Much of Gilman's youth was spent in Providence, Rhode Island. What friends she had were mainly male, and she was unashamed, for her time, to call herself a "tomboy." She attended seven different public schools, and was a correspondent student of the Society to Encourage Studies at Home but studied only until she was fifteen. Her natural intelligence and breadth of knowledge always impressed her teachers, who were nonetheless disappointed in her because she was a poor student. Her favorite subject was "natural philosophy," especially what later would become known as physics. In 1878, the eighteen-year-old enrolled in classes at the Rhode Island School of Design with the monetary help of her absent father, and subsequently supported herself as an artist of trade cards. She was a tutor, and encouraged others to expand their artistic creativity. She was also a painter. In 1884, she married the artist Charles Walter Stetson after initially declining his proposal because a gut feeling told her it was not the right thing for her. Their only child, Katharine Beecher Stetson.
Most helpful customer reviews
10 of 10 people found the following review helpful.
Essential, entertaining reading for Gilman fans
By A Customer
The Crux is essential reading for anyone seriously interested in the writings of Charlotte Perkins Gilman, and Jennifer S. Tuttle's is to be commended for bringing it to readers in this excellent edition. After having read most of Gilman's other fiction, I will admit that I put off reading this one because of its reputation as "the book about venereal disease" (sexually transmitted diseases). I feared it would be didactic, heavy handed, and depressing. Instead, it's like the best of Gilman's "optimistic reform" books: it treats its serious subject with a light touch, conveying its important ideas through appealing characters and a strong plot with Gilman's typical "happy ending." (Some readers might argue that the ending is a bit implausible, but that's part of the interest of this set of Gilman's writings.) At times, it is laugh-out-loud funny. Also, it's not entirely accurate to say that the book is "about" venereal disease, for although the last third of the book discusses the dangers women faced from sexually transmitted diseases in the years before adequate cures had been discovered, there is much more to the story. It portrays the opportunities for self discovery open to women who move from the stultifying conditions of New England villages to the open life in a new city in the Colorado mountains. The women characters (on whom the story focuses) range from young unmarried women to a seemingly dried-up old maid, a woman doctor, and one of literature's most delightful grandmothers.
My only serious objection to this edition is that University of Delaware Press, for some unaccountable reason, has elected to publish this book only in an expensive hardback edition. The story, along with Tuttle's illuminating introduction and clear explanatory notes, would be highly suitable as a teaching text if the book were available in a reasonably-priced paper edition.
2 of 2 people found the following review helpful.
Should be studied more often
By Monica Rico
_The Crux_ isn't "great literature" but it is well worth reading for the insight into Charlotte Perkins Gilman's thinking about sexuality, gender, and health. In this text, you can trace some of the elements of her belief in eugenics, intertangled with her conviction that women should have satisfying careers and independent lives. In other words, as with so many of Gilman's contemporaries, the ideas that we think of as "progressive" and "reactionary" were, in this era, mutually constitutive. _The Crux_ makes for fascinating reading and lively discussion.
1 of 1 people found the following review helpful.
Recommended read, it's always interesting to see where Gilman ...
By Liz C
This is a fairly quick read of a book, longer than Gilman's usual short story, but not something that would take weeks to read either. This particular copy is a bit different than most books. This one is a reprint of a "historic book" which in this case seems to mean the original page numbers happen to be in the middle of paragraphs, sentences and sometimes even words. It's a bit distracting at first, but you get used to it after a page or two. Each page is laid out in three columns, and the whole thing is the size of a composition notebook, though not nearly as thick. If that layout would distract you, there are other printings available in "regular" paperback size, some are even anthologies. Recommended read, it's always interesting to see where Gilman went with her various works.
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